The Da Vinci Code Chapter 42-43

CHAPTER 42 The Depository Bank of Zurich was a twenty-four-hour Geldschrank bank offering the full modern array of anonymous services in the tradition of the Swiss numbered account. Maintaining offices in Zurich, Kuala Lumpur, New York, and Paris, the bank had expanded its services in recent years to offer anonymous computer source code escrow services and faceless digitized backup. The bread and butter of its operation was by far its oldest and simplest offering – the anonyme Lager – blind drop services, otherwise known as anonymous safe-deposit boxes. Clients wishing to store anything from stock certificates to valuable paintings could deposit their belongings anonymously, through a series of high-tech veils of privacy, withdrawing items at any time, also in total anonymity. As Sophie pulled the taxi to a stop in front of their destination, Langdon gazed out at the building's uncompromising architecture and sensed the Depository Bank of Zurich was a firm with little sense of humor. The building was a windowless rectangle that seemed to be forged entirely of dull steel. Resembling an enormous metal brick, the edifice sat back from the road with a fifteen-foot-tall, neon, equilateral cross glowing over its facade. Switzerland's reputation for secrecy in banking had become one of the country's most lucrative exports. Facilities like this had become controversial in the art community because they provided a perfect place for art thieves to hide stolen goods, for years if necessary, until the heat was off. Because deposits were protected from police inspection by privacy laws and were attached to numbered accounts rather than people's names, thieves could rest easily knowing their stolen goods were safe and could never be traced to them. Sophie stopped the taxi at an imposing gate that blocked the bank's driveway – a cement-lined ramp that descended beneath the building. A video camera overhead was aimed directly at them, and Langdon had the feeling that this camera, unlike those at the Louvre, was authentic. Sophie rolled down the window and surveyed the electronic podium on the driver's side. An LCD screen provided directions in seven languages. Topping the list was English. INSERT KEY. Sophie took the gold laser-pocked key from her pocket and turned her attention back to the podium. Below the screen was a triangular hole. â€Å"Something tells me it will fit,† Langdon said. Sophie aligned the key's triangular shaft with the hole and inserted it, sliding it in until the entire shaft had disappeared. This key apparently required no turning. Instantly, the gate began to swing open. Sophie took her foot off the brake and coasted down to a second gate and podium. Behind her, the first gate closed, trapping them like a ship in a lock. Langdon disliked the constricted sensation. Let's hope this second gate works too. This second podium bore familiar directions. INSERT KEY. When Sophie inserted the key, the second gate immediately opened. Moments later they were winding down the ramp into the belly of the structure. The private garage was small and dim, with spaces for about a dozen cars. At the far end, Langdon spied the building's main entrance. A red carpet stretched across the cement floor, welcoming visitors to a huge door that appeared to be forged of solid metal. Talk about mixed messages, Langdon thought. Welcome and keep out. Sophie pulled the taxi into a parking space near the entrance and killed the engine. â€Å"You'd better leave the gun here.† With pleasure, Langdon thought, sliding the pistol under the seat. Sophie and Langdon got out and walked up the red carpet toward the slab of steel. The door had no handle, but on the wall beside it was another triangular keyhole. No directions were posted this time. â€Å"Keeps out the slow learners,† Langdon said. Sophie laughed, looking nervous. â€Å"Here we go.† She stuck the key in the hole, and the door swung inward with a low hum. Exchanging glances, Sophie and Langdon entered. The door shut with a thud behind them. The foyer of the Depository Bank of Zurich employed as imposing a decor as any Langdon had ever seen. Where most banks were content with the usual polished marble and granite, this one had opted for wall-to-wall metal and rivets. Who's their decorator? Langdon wondered. Allied Steel? Sophie looked equally intimidated as her eyes scanned the lobby. The gray metal was everywhere – the floor, walls, counters, doors, even the lobby chairs appeared to be fashioned of molded iron. Nonetheless, the effect was impressive. The message was clear: You are walking into a vault. A large man behind the counter glanced up as they entered. He turned off the small television he was watching and greeted them with a pleasant smile. Despite his enormous muscles and visible sidearm, his diction chimed with the polished courtesy of a Swiss bellhop. â€Å"Bonsoir,†he said. â€Å"How may I help you?† The dual-language greeting was the newest hospitality trick of the European host. It presumed nothing and opened the door for the guest to reply in whichever language was more comfortable. Sophie replied with neither. She simply laid the gold key on the counter in front of the man. The man glanced down and immediately stood straighter. â€Å"Of course. Your elevator is at the end of the hall. I will alert someone that you are on your way.† Sophie nodded and took her key back. â€Å"Which floor?† The man gave her an odd look. â€Å"Your key instructs the elevator which floor.† She smiled. â€Å"Ah, yes.† The guard watched as the two newcomers made their way to the elevators, inserted their key, boarded the lift, and disappeared. As soon as the door had closed, he grabbed the phone. He was not calling to alert anyone of their arrival; there was no need for that. A vault greeter already had been alerted automatically when the client's key was inserted outside in the entry gate. Instead, the guard was calling the bank's night manager. As the line rang, the guard switched the television back on and stared at it. The news story he had been watching was just ending. It didn't matter. He got another look at the two faces on the television. The manager answered. â€Å"Oui?† â€Å"We have a situation down here.† â€Å"What's happening?† the manager demanded. â€Å"The French police are tracking two fugitives tonight.† â€Å"So?† â€Å"Both of them just walked into our bank.† The manager cursed quietly. â€Å"Okay. I'll contact Monsieur Vernet immediately.† The guard then hung up and placed a second call. This one to Interpol. Langdon was surprised to feel the elevator dropping rather than climbing. He had no idea how many floors they had descended beneath the Depository Bank of Zurich before the door finally opened. He didn't care. He was happy to be out of the elevator. Displaying impressive alacrity, a host was already standing there to greet them. He was elderly and pleasant, wearing a neatly pressed flannel suit that made him look oddly out of place – an old-world banker in a high-tech world. â€Å"Bonsoir,†the man said. â€Å"Good evening. Would you be so kind as to follow me, s'il vous plait?† Without waiting for a response, he spun on his heel and strode briskly down a narrow metal corridor. Langdon walked with Sophie down a series of corridors, past several large rooms filled with blinking mainframe computers. â€Å"Voici,†their host said, arriving at a steel door and opening it for them. â€Å"Here you are.† Langdon and Sophie stepped into another world. The small room before them looked like a lavish sitting room at a fine hotel. Gone were the metal and rivets, replaced with oriental carpets, dark oak furniture, and cushioned chairs. On the broad desk in the middle of the room, two crystal glasses at beside an opened bottle of Perrier, its bubbles still fizzing. A pewter pot of coffee steamed beside it. Clockwork, Langdon thought. Leave it to the Swiss. The man gave a perceptive smile. â€Å"I sense this is your first visit to us?† Sophie hesitated and then nodded.† Understood. Keys are often passed on as inheritance, and our first-time users are invariably uncertain of the protocol.† He motioned to the table of drinks. â€Å"This room is yours as long as you care to use it.† â€Å"You say keys are sometimes inherited?† Sophie asked. â€Å"Indeed. Your key is like a Swiss numbered account, which are often willed through generations. On our gold accounts, the shortest safety-deposit box lease is fifty years. Paid in advance. So we see plenty of family turnover.† Langdon stared. â€Å"Did you say fifty years?† â€Å"At a minimum,† their host replied. â€Å"Of course, you can purchase much longer leases, but barring further arrangements, if there is no activity on an account for fifty years, the contents of that safe- deposit box are automatically destroyed. Shall I run through the process of accessing your box?† Sophie nodded. â€Å"Please.† Their host swept an arm across the luxurious salon. â€Å"This is your private viewing room. Once I leave the room, you may spend all the time you need in here to review and modify the contents of your safe-deposit box, which arrives†¦ over here.† He walked them to the far wall where a wide conveyor belt entered the room in a graceful curve, vaguely resembling a baggage claim carousel. â€Å"You insert your key in that slot there†¦ .† The man pointed to a large electronic podium facing the conveyor belt. The podium had a familiar triangular hole. â€Å"Once the computer confirms the markings on your key, you enter your account number, and your safe-deposit box will be retrieved robotically from the vault below for your inspection. When you are finished with your box, you place it back on the conveyor belt, insert your key again, and the process is reversed. Because everything is automated, your privacy is guaranteed, even from the staff of this bank. If you n eed anything at all, simply press the call button on the table in the center of the room.† Sophie was about to ask a question when a telephone rang. The man looked puzzled and embarrassed. â€Å"Excuse me, please.† He walked over to the phone, which was sitting on the table beside the coffee and Perrier. â€Å"Oui?† he answered. His brow furrowed as he listened to the caller. â€Å"Oui†¦oui†¦d'accord.† He hung up, and gave them an uneasy smile. â€Å"I'm sorry, I must leave you now. Make yourselves at home.† He moved quickly toward the door. â€Å"Excuse me,† Sophie called. â€Å"Could you clarify something before you go? You mentioned that we enter an account number?† The man paused at the door, looking pale. â€Å"But of course. Like most Swiss banks, our safe-deposit boxes are attached to a number, not a name. You have a key and a personal account number known only to you. Your key is only half of your identification. Your personal account number is the other half. Otherwise, if you lost your key, anyone could use it.† Sophie hesitated. â€Å"And if my benefactor gave me no account number?† The banker's heart pounded. Then you obviously have no business here! He gave them a calm smile. â€Å"I will ask someone to help you. He will be in shortly.† Leaving, the banker closed the door behind him and twisted a heavy lock, sealing them inside. Across town, Collet was standing in the Gare du Nord train terminal when his phone rang. It was Fache. â€Å"Interpol got a tip,† he said. â€Å"Forget the train. Langdon and Neveu just walked into the Paris branch of the Depository Bank of Zurich. I want your men over there right away.† â€Å"Any leads yet on what Sauniere was trying to tell Agent Neveu and Robert Langdon?† Fache's tone was cold. â€Å"If you arrest them, Lieutenant Collet, then I can ask them personally.† Collet took the hint. â€Å"Twenty-four Rue Haxo. Right away, Captain.† He hung up and radioed his men. CHAPTER 43 Andre Vernet – president of the Paris branch of the Depository Bank of Zurich – lived in a lavish flat above the bank. Despite his plush accommodations, he had always dreamed of owning a riverside apartment on L'lle Saint-Louis, where he could rub shoulders with the true cognoscenti, rather than here, where he simply met the filthy rich. When I retire, Vernet told himself, I will fill my cellar with rare Bordeaux, adorn my salon with a Fragonard and perhaps a Boucher, and spend my days hunting for antique furniture and rare books in the Quartier Latin. Tonight, Vernet had been awake only six and a half minutes. Even so, as he hurried through the bank's underground corridor, he looked as if his personal tailor and hairdresser had polished him to a fine sheen. Impeccably dressed in a silk suit, Vernet sprayed some breath spray in his mouth and tightened his tie as he walked. No stranger to being awoken to attend to his international clients arriving from different time zones, Vernet modeled his sleep habits after the Maasai warriors – the African tribe famous for their ability to rise from the deepest sleep to a state of total battle readiness in a matter of seconds. Battle ready, Vernet thought, fearing the comparison might be uncharacteristically apt tonight. The arrival of a gold key client always required an extra flurry of attention, but the arrival of a gold key client who was wanted by the Judicial Police would be an extremely delicate matter. The bank had enough battles with law enforcement over the privacy rights of their clients without proof that some of them were criminals. Five minutes, Vernet told himself. I need these people out of my bank before the police arrive. If he moved quickly, this impending disaster could be deftly sidestepped. Vernet could tell the police that the fugitives in question had indeed walked into his bank as reported, but because they were not clients and had no account number, they were turned away. He wished the damned watchman had not called Interpol. Discretion was apparently not part of the vocabulary of a 15-euro-per-hour watchman. Stopping at the doorway, he took a deep breath and loosened his muscles. Then, forcing a balmy smile, he unlocked the door and swirled into the room like a warm breeze. â€Å"Good evening,† he said, his eyes finding his clients. â€Å"I am Andre Vernet. How can I be of serv – † The rest of the sentence lodged somewhere beneath his Adam's apple. The woman before him was as unexpected a visitor as Vernet had ever had. â€Å"I'm sorry, do we know each other?† Sophie asked. She did not recognize the banker, but he for a moment looked as if he'd seen a ghost. â€Å"No†¦ ,† the bank president fumbled. â€Å"I don't†¦ believe so. Our services are anonymous.† He exhaled and forced a calm smile. â€Å"My assistant tells me you have a gold key but no account number? Might I ask how you came by this key?† â€Å"My grandfather gave it to me,† Sophie replied, watching the man closely. His uneasiness seemed more evident now. â€Å"Really? Your grandfather gave you the key but failed to give you the account number?† â€Å"I don't think he had time,† Sophie said. â€Å"He was murdered tonight.† Her words sent the man staggering backward. â€Å"Jacques Sauniere is dead?† he demanded, his eyes filling with horror. â€Å"But†¦ how?!† Now it was Sophie who reeled, numb with shock. â€Å"You knew my grandfather?† Banker Andre Vernet looked equally astounded, steadying himself by leaning on an end table. â€Å"Jacques and I were dear friends. When did this happen?† â€Å"Earlier this evening. Inside the Louvre.† Vernet walked to a deep leather chair and sank into it. â€Å"I need to ask you both a very important question.† He glanced up at Langdon and then back to Sophie. â€Å"Did either of you have anything to do with his death?† â€Å"No!† Sophie declared. â€Å"Absolutely not.† Vernet's face was grim, and he paused, pondering. â€Å"Your pictures are being circulated by Interpol. This is how I recognized you. You're wanted for a murder.† Sophie slumped. Fache ran an Interpol broadcast already? It seemed the captain was more motivated than Sophie had anticipated. She quickly told Vernet who Langdon was and what had happened inside the Louvre tonight. Vernet looked amazed. â€Å"And as your grandfather was dying, he left you a message telling you to find Mr. Langdon?† â€Å"Yes. And this key.† Sophie laid the gold key on the coffee table in front of Vernet, placing the Priory seal face down. Vernet glanced at the key but made no move to touch it. â€Å"He left you only this key? Nothing else? No slip of paper?† Sophie knew she had been in a hurry inside the Louvre, but she was certain she had seen nothing else behind Madonna of the Rocks. â€Å"No. Just the key.† Vernet gave a helpless sigh. â€Å"I'm afraid every key is electronically paired with a ten-digit account number that functions as a password. Without that number, your key is worthless.† Ten digits.Sophie reluctantly calculated the cryptographic odds. Over ten billion possible choices. Even if she could bring in DCPJ's most powerful parallel processing computers, she still would need weeks to break the code. â€Å"Certainly, monsieur, considering the circumstances, you can help us.† â€Å"I'm sorry. I truly can do nothing. Clients select their own account numbers via a secure terminal, meaning account numbers are known only to the client and computer. This is one way we ensure anonymity. And the safety of our employees.† Sophie understood. Convenience stores did the same thing. EMPLOYEES DO NOT HAVE KEYS TO THE SAFE. This bank obviously did not want to risk someone stealing a key and then holding an employee hostage for the account number. Sophie sat down beside Langdon, glanced down at the key and then up at Vernet. â€Å"Do you have any idea what my grandfather is storing in your bank?† â€Å"None whatsoever. That is the definition of a Geldschrank bank.† â€Å"Monsieur Vernet,† she pressed,† our time tonight is short. I am going to be very direct if I may.† She reached out to the gold key and flipped it over, watching the man's eyes as she revealed the Priory of Sion seal. â€Å"Does the symbol on this key mean anything to you?† Vernet glanced down at the fleur-de-lis seal and made no reaction. â€Å"No, but many of our clients emboss corporate logos or initials onto their keys.† Sophie sighed, still watching him carefully. â€Å"This seal is the symbol of a secret society known as the Priory of Sion.† Vernet again showed no reaction. â€Å"I know nothing of this. Your grandfather was a friend, but we spoke mostly of business.† The man adjusted his tie, looking nervous now. â€Å"Monsieur Vernet,† Sophie pressed, her tone firm. â€Å"My grandfather called me tonight and told me he and I were in grave danger. He said he had to give me something. He gave me a key to your bank. Now he is dead. Anything you can tell us would be helpful.† Vernet broke a sweat. â€Å"We need to get out of the building. I'm afraid the police will arrive shortly. My watchman felt obliged to call Interpol.† Sophie had feared as much. She took one last shot. â€Å"My grandfather said he needed to tell me the truth about my family. Does that mean anything to you?† â€Å"Mademoiselle, your family died in a car accident when you were young. I'm sorry. I know your grandfather loved you very much. He mentioned to me several times how much it pained him that you two had fallen out of touch.† Sophie was uncertain how to respond. Langdon asked,† Do the contents of this account have anything to do with the Sangreal?† Vernet gave him an odd look. â€Å"I have no idea what that is.† Just then, Vernet's cell phone rang, and he snatched it off his belt. â€Å"Oui?† He listened a moment, his expression one of surprise and growing concern. â€Å"La police? Si rapidement?† He cursed, gave some quick directions in French, and said he would be up to the lobby in a minute. Hanging up the phone, he turned back to Sophie. â€Å"The police have responded far more quickly than usual. They are arriving as we speak.† Sophie had no intention of leaving empty-handed. â€Å"Tell them we came and went already. If they want to search the bank, demand a search warrant. That will take them time.† â€Å"Listen,† Vernet said,† Jacques was a friend, and my bank does not need this kind of press, so for those two reasons, I have no intention of allowing this arrest to be made on my premises. Give me a minute and I will see what I can do to help you leave the bank undetected. Beyond that, I cannot get involved.† He stood up and hurried for the door. â€Å"Stay here. I'll make arrangements and be right back.† â€Å"But the safe-deposit box,† Sophie declared. â€Å"We can't just leave.† â€Å"There's nothing I can do,† Vernet said, hurrying out the door. â€Å"I'm sorry.† Sophie stared after him a moment, wondering if maybe the account number was buried in one of the countless letters and packages her grandfather had sent her over the years and which she had left unopened. Langdon stood suddenly, and Sophie sensed an unexpected glimmer of contentment in his eyes. â€Å"Robert? You're smiling.† â€Å"Your grandfather was a genius.† â€Å"I'm sorry?† â€Å"Ten digits?† Sophie had no idea what he was talking about. â€Å"The account number,† he said, a familiar lopsided grin now craning his face. â€Å"I'm pretty sure he left it for us after all.† â€Å"Where?† Langdon produced the printout of the crime scene photo and spread it out on the coffee table. Sophie needed only to read the first line to know Langdon was correct. 13-3-2-21-1-1-8-5 O, Draconian devil! Oh, lame saint! P. S. Find Robert Langdon

“Everybody knows what religion is, and so, we do not need to define it.” Essay

The study of religion may be as old as humankind itself according to one author. Defining religion is difficult as there are many definitions as there are many authors. The word religion is the most difficult to define because of the lack of a universally accepted definition. Specifically the root meaning of the word religion can be traced to Latin. Relegare or religion means to bind oneself, emanating from the Latin religio, which is translated to re-read emphasising tradition passing from generation to generation. Douglas Davies says â€Å"some have simply described religion as a belief in spiritual beings.† (10). In the book The World Religion there is a suggestion of approaches for tackling the question of religion such as viewing it anthropologically, sociologically, through history, in a scholarly way, theologically and by reductionism. In this paper I will try and assess the definition of religion from aforementioned views and identify the problems of defining religion. James Cox states that in their introductory textbook on religion the American scholars Hall, Pilgrim and Cavanagh identify four characteristic problems with traditional definitions of religion; these are: vagueness, narrowness, compartmentasation and prejudice (9). The authors argue that vagueness means there are so many definitions that they do not distinguish the matter of religion from other fields of study. Tilich’s defines religion as ultimate concern or a simple idea of religion meaning living a good life (9). Living a good life is subjective to an individual since the concerns and values we have are influenced by culture and the community that we live in. The definition of religion may also be viewed as narrow by means of compensating for the vagueness. In most cases the study of religion is fixated on a certain field or line of thought. Hall, Pilgrim and Cavanagh use Thomas Aquinas’ claim that religion denotes a relationship with a God, thereby excluding non-atheistic or polytheistic forms of religion (Cox 9). Most definitions are narrowed down to religious beliefs such as Christianity among other world religions. In narrowing down the definition of religion it excludes other religions such as African Traditional Religions. Due to the fact that African religions lack most characteristics needed of World religions they are excluded from being religion. Atheism is a growing phenomena in the world that does not believe in a God, which I feel have its own belief system. Many definitions focus too narrowly on only a few aspects of religion; they tend to exclude those religions that do not fit well. It is apparent that religion can be seen as a theological, philosophical, anthropological, sociological, and psychological phenomenon of human kind. To limit religion to only one of these categories is to miss its multifaceted nature and lose out on the complete definition. The same authors by way of compartmentalisation explain religion in terms of just one single, special aspect of human life. This compartmentalisation reduces religion to one part of human life and ignores its relevance to the totality of human existence. They also argue against Schleiermachers’ definition of religion as a feeling of absolute dependence which might reduce religion to a mere psychological condition, (Cox 9). By compartmentalisation you are taking the part of the whole to be the whole, thereby reducing religion to one aspect of human existence ignoring the totality of existence. Religion is not just a feeling but encompasses the totality of existence in a human being his beliefs, culture and language. Religious or religion is not static but dynamic from one generation to another and they are ever developing in accordance with time and nature. Religion is not only a compartment in life of a human being but a totality, a large elephant it is huge and complex. Most definitions of religion may be viewed as prejudice because they are evaluative in process which cannot present an objective picture of what religion actually is. The same scholars argue giving the example of Karl Max that religion is the opium of the people which is clearly biased (Cox 9). A scholar by the name of Barnhart criticizes traditional definitions of religion identifying in them five issues in prejudice: belief in supernatural, evaluative definitions, diluted definitions, expanded definitions and true religion. In his argument, Barnhart denies that religions must not hold a belief in God or supernatural beings to qualify as religions. He believes that such definitions restrict the subject matter of religion and thus are too exclusive, (Cox 9). In the same argument he concurs with Hall and company call on narrowness of definition of religion.  In the same view disagrees with E.B Tylor ‘religion consists of beliefs in spiritual’ beings as too narrow. In asserting that religion definitions are evaluative in nature, Barnhart concurs with Hall that these definitions are prejudiced. He argues against Marx and Freud saying the ultimate concern is itself an evaluative concept imposed on religion from the perspective of Western philosophy. Citing Clarke’s statement that ‘religion is the life of God in the soul of man’ tells us nothing about either God or the soul thereby diluting the definition and affirming other scholars view that religion’s definition is vagueness. Compartmentalisation of the definition of religion can also be likened to what Barnhart calls expanded definitions. He argues against Russell who tries to expand the definition of religion so far as to make it seem an effort to seek comfort in a terrifying world. The argument follows that by trying to define religion as a way of expanding a list of what comprises religion to accommodate one compartment of human existence it has an opposite effect of diluting the definition rather than searching for consolation, (Cox 10). Lastly Barnhart finds a problem in defining all religions in terms of one religion which by definition claims itself to be true. He gives the example of ‘Religion is belief in Jesus’ or ‘there is no God but Allah and Muhammad is his prophet’. This clearly categorises the definition of religion are subjective (Cox 10). The example also clearly shows how exclusive some definitions of religion are and proves the earlier mentioned problem of prejudice against one belief system or being traditionally fixated on belief systems of faith. The problem of plurality according to Roger Schmidt religion is difficult to define because it is a collective term applied to a wide range of phenomena. The phenomena include beliefs and practices that all religions have in common. Closely related to plurality is the problem of culture as religion and culture are closely linked. Religion is a child of culture, which is a result of religion being found in a certain contextual culture, therefore, difficult to define religion in all cultures. Religion itself is dynamic the Buddhism of a hundred years ago is not the same today. This shows that religion is not static but dynamic.

Hung Liu Artistic Work and its Contribution to Human Life

Hung Liu Artistic Work and its Contribution to Human Life Introduction Born in 1948 in China, Hung Liu is a famous Chinese-American artist who uses her paintings to present themes like gender, culture, politics, and war. Hung acquired her skills in the field of art from the Central Academy of Fine Art in Beijing, where she acquired a Bachelors Degree in Art, and later got a masters degree from the University of California.Advertising We will write a custom research paper sample on Hung Liu Artistic Work and its Contribution to Human Life specifically for you for only $16.05 $11/page Learn More Hung uses themes like gender and culture to explain the challenges that women and young girls experience globally. In addition, Hung emphasizes the importance of her themes using paintings, which are very practical in presenting her themes. The fact that Hung is among the early immigrants to the United States gives her a firsthand experience of the gender disparity and racism. Thus, Hung is very vocal on aspects that focus on women, politics, culture, war, environmental crisis, and struggles of immigrants (Fichner 532). Moreover, the research also conducted through an interview with a colleague (Chiang Lee), who is a Chinese American, concerning his perspective of Hung’s paintings. Therefore, the research paper examines how Chinese-American artist, Hung Liu, addresses themes such as gender, racism, politics, culture, war, and immigrant struggles. Gender Discrimination Hung uses her fine works of art to explain the experiences that women and girls go through in their lives. In her famous work titled Goddess of Liberty, Hung employs imagery to demonstrate the effect of gender parity. Moser explains that the paintings of Hung show women who have been bound on the feet to highlight the challenges that the women encounters globally (80). Hung outlines the theme of gender discrimination from historic periods and stresses her historic presentation by using concubines of emperors to demonstrate that the issue of gender discrimination affects both medieval and modern women and girls. In her assertion, Hung argues that the emperors’ concubines wore masks to symbolize the authoritarian nature of men, who define the roles of the women. Moreover, Hung adds three cages of birds hanging on her painting to emphasize on the effects of gender discrimination. From a personal interview, Chiang explains that although discrimination against women has reduced compared to historic times, some individuals still perpetuate the vice. Advertising Looking for research paper on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More Figure 2: Mother and daughter (Moser 94) Immigrant Struggles Another theme that Hung addresses is the immigrant struggles, which explains the dilemmas that Chinese immigrants who came to the United States in the mid-nineteen century experienced. According to Hung, many Chinese immigrants encountered different lifestyles and cultures in the United States. Therefore, most of the Chinese immigrants adopted the foreign cultures and compromised their native cultures. Some of the paintings used by Hung to explain the vital nature of culture include the portraits of Chinese self, Buddha’s hand, the rainmaker, and the controversial fortune cookie that symbolizes the importance of Chinese culture. The implication of her cultural paintings, which includes the fortune cookie, shows the vitality of culture from Hung’s perspective (Moser 83). Hung uses her artistic skills to encourage appreciation of native culture and lifestyles of Chinese people living in the United States. In the aspect of immigrant struggles, Chiang explains that since the lifestyles and cultures of people in the United States are different from Chinese lifestyles, many immigrants from China experienced immense challenges in the process of assimilating into the American culture and preserving their culture. Figure 2: Old Gold Mountains (Moser 92) Politics Hung addresses the theme of politics using her homeland of China. From her paintings, Hung demonstrates the importance of good politics and governance.Advertising We will write a custom research paper sample on Hung Liu Artistic Work and its Contribution to Human Life specifically for you for only $16.05 $11/page Learn More By using images of Chinese slaves taken captives in Japan after the Second World War and women working on dry fields to recover the lost glory of the Chinese republic, Hung depicts the need for states to exercise good governance and healthy politics. Using numerous wall paintings that are eye-catching and appealing, Hung outlines the past and present political status of China (French 23). In addition, to enhance the effectiveness of her paintings concerning the present political nature of her home country, China, Hung applies metaphors and figures of speech. Hung uses the figures of speech and me taphors to explain that the political system of China has challenges in terms of political balance. According to the interview, Chiang explained that although China is progressing politically, the country has to institute a number of policies to advance its political system. Racism Hung uses most of her paintings to show feelings, operations, and activities that individuals undertake in their daily lives. Since Hung is a Chinese American artist, some of her images depict things that concern her past life in the United States when the vice of racial and gender discrimination was highly pronounced. Although Hung experienced many instances of racial disparity, however, she used her images to demonstrate the critical nature of living together like brothers and sister irrespective of race. Whenever Hung encountered a situation, she would try to retain it in history using imagery. A good example of artwork that Hung used in addressing the issue of racism focused on the Chinese living in S outh Carolina. According to Guzman, Hung’s images are very practical in the study of racial discrimination practiced by some Native Americans during the 19th and 20th centuries (46). From the personal interview, Chiang notes that since Hung was a woman from China who travelled to the United States during the period characterized by high levels of discrimination basing on gender and race, her vulnerability to discrimination was high. Figure 3: A sketch that demonstrates the need to take care of each other as brothers (Moser 82)Advertising Looking for research paper on art and design? Let's see if we can help you! Get your first paper with 15% OFF Learn More Culture A number of paintings designed by Hung comprise of fine images that display rich and unique Chinese culture. In her artistic works, Hung displays both the past and the contemporary cultures of Chinese. Remarkably, her artistic works are multicultural, as she incorporates both Chinese and American cultures. The main motivation of multicultural paintings is her experience in the United States and the need to help young Asian Americans, who experienced cultural dilemmas. Moreover, most of her paintings that focus on Chinese culture are born out of traditional Chinese education, which is the foundation of her present artistic skills (Desmond 23). The contribution of Hung’s traditional Chinese education is evident from the majority of her images that either have their basis on Chinese photographs from the past or depict Chinese history and culture. The findings from the research also reflect a similar response, as Chiang states that Hung tried very hard to use her painting skills to educate individuals concerning Chinese culture and encourage the Native Chinese to appreciate and love their culture. War War is another theme that Hung addresses using her paintings. Most of the paintings that she designed show Chinese slaves captured by Japanese soldiers after the Second World War and the images of Chinese women working on dry plantations to recover the glory of China. The painting ‘By the Rivers of Babylon’ that shows refugees at the banks of a river running away from war is a good example of how Hung uses imagery to keep historic events alive in the minds of people. Since Hung spent most of her tender age living in China during the period when wars and revolutions were frequent, she uses some of the images to demonstrate the actual state of affairs to many individuals in the United States and globally. According to the research, it is clear that images of Hung educate many individuals on issues that touch on war and its implications (Ress ler 212). Chiang states that through the paintings of Hung, he had acquired a lot of information concerning war, especially in the Asian continent. Figure 4: By the Rivers of Babylon (Moser 95) Conclusion The famous works of art displayed by Chinese-American artist, Hung, are very important and practical in the study of historic events that have shaped human life. The paintings designed by Hung are appealing and attractive since she uses streaks and shadows in enhancing reality of images or photographs. Some of the major themes that Hung addresses include gender discrimination, immigrant struggles, politics, racism, culture, and war. Additionally, the interview with a colleague (Lee Chiang), who is a Chinese American, highlights the relevance of Hung’s artistic works not only to the past society, but also to the contemporary society. The themes addressed by Hung in her paintings bring to the fore the challenges that human beings encounter in their daily activities. Therefore , Hung’s paintings and images have an enduring influence as they touch on issues of the contemporary world. Chiang, Lee. Personal Interview. 8 Feb. 2014. Desmond, Kathleen. Ideas About Art. New York: John Wiley Sons, 2011. Print. French, Stephanie. In Plural America. New York: Hudson River Museum, 2012. Print. Fichner, Lois. Understanding Art. Mason: Cengage Learning, 2011. Print. Guzman, Rene . Summoning Ghosts: The Art of Hung Liu. California : University of California Press, 2013. Print. Moser, Joann. â€Å"Interview A Conversation with Hung Liu.† Chicago Journals 25. 2 (2011): 76-103. Print. Ressler, Susan. Women Artists of the American West. McFarland, 2003. Print.

The Third Estate During the French Revolution

The Third Estate During the French Revolution In early modern Europe, the Estates were a theoretical division of a countrys population, and the Third Estate referred to the mass of normal, everyday people. They played a vital role in the early days of the French Revolution, which also ended the common use of the division. The Three Estates Sometimes, in late medieval and early France, a gathering termed  an Estates General was called. This was a representative body designed to rubber-stamp the decisions of the king. It was not a parliament as the English would understand it, and it often didnt do what the monarch was hoping for, and by the late eighteenth century had fallen out of royal favor. This Estates General divided the representatives who came to it into three, and this division was often applied to French society as a whole. The First Estate was comprised of the clergy, the Second Estate the nobility, and the Third Estate everyone else. Makeup of the Estates The Third Estate was thus a vastly larger proportion of the population than the other two estates, but in the Estates General, they only had one vote, the same as the other two estates had each. Equally, the representatives who went to the Estates General werent drawn evenly across all of society: they tended to be the well to do clergy and nobles, such as the middle class. When the Estates General was called in the late 1980s, many of the Third Estates representatives were lawyers and other professionals, rather than anyone in what would be considered in socialist theory lower class. The Third Estate Makes History The Third Estate would become a very important early part of the French Revolution. In the aftermath of Frances decisive aid to the colonists in the American War of Independence, the French crown found itself in a terrible financial position. Experts on finance  came and went, but nothing was resolving the issue, and the French king accepted appeals for an Estates General to be called and for this to rubber-stamp financial reform. However, from a royal point of view, it went terribly wrong. The Estates was called, the votes were had, and representatives arrived to form the Estates General. But the dramatic inequality in voting- the Third Estate represented more people, but only had the same voting power as the clergy or the nobility- led to the Third Estate demanding more voting power, and as things developed, more rights. The king mishandled events, and so did his advisors, while members of both the clergy and the nobility went over (physically) to the Third Estate to support their demands. In 1789, this led to the creation of a new National Assembly that better represented those not part of the clergy or nobility. In turn, they also effectively started the French Revolution, which would sweep away not just the king and the old laws but the whole Estates system in favor of citizenship. The Third Estate had therefore  left a major mark on history when it effectively gained the power to dissolve itself.

Gay Men U.S. vs China Research Paper Example | Topics and Well Written Essays - 1500 words

Gay Men U.S. vs China - Research Paper Example In addition, the U S is putting policies in place with prospects of protecting the rights of the gay community. Unlike the US, China has had a dull history regarding its gay community. The subject of homosexuality had been treated as a taboo for a long time in most countries including China. However, the Chinese people are changing their attitude concerning homosexuality. This essay will compare the views of the Chinese and US society in regards to the gay community. In China, Hong Kong is always ahead of the mainland China in terms of information and interactions with the outside world. However, this does not prevent homosexuality from being branded as an illegal behavior in Hong Kong. Until 1991, homosexuality was illegal in Hong Kong. In mainland China, homosexuality was considered both a crime against humanity and a form of mental illness. This indicates that the Chinese gay society was still stigmatized by the community in 1990s. Unlike China, the US has a more liberalized socie ty where people have extreme expectations. the US society acknowledged the existence of Gay community long before the Chinese society acknowledge the gay people are part of every society. In 1997, the Chinese government shot down the hooligan law. This law had been the main source of discrimination against gay society from the Chinese society. Although Chinese people are slowly accepting the existence of gay community in their midst, they are still behind the US community (Lau web). This change can be noted by an increase in the number of self-proclaimed gay communities around the country. China has also recorded an increase in the number of gay people hangouts. There is however, a significant difference between the mainland China and Hong Kong in terms of accepting the existence of the gay community. The existence of special or secluded hangouts for gay people indicates that the Chinese society has not fully accepted the existence of the gay society. Unlike the Chinese society, the US society has high level of tolerance for the gay community. Gay people living in the US are free to mingle and interact with other people who have normal sexual affiliation. However, there are specific joints and hangout that are more popular with the gay society than with the ordinary people. This indicates that the US society has no negative feelings about the gay people. Although the US and China have the biggest economies in the world, the two countries have great variation in terms of access to information and multiculturalism. Most people in United States live in urban areas while China has most of its population living in rural areas. Rural and urban societies have contradicting views towards gay people living in their midst. While people in major cities such as Hong Kong and Beijing have almost accepted the existence and the rights of the gay society, people living in rural areas still live in denial concerning the existence of gay people. A person living in a Chinese vil lage still views homosexuality as mental illness or abnormal behavior. Unlike China, the US society has a homogenous attitude towards the gay community. This indicates that the society has no greatly varying views towards homosexuals and lesbians living in their midst. The main problem that gay people face in any liberalized society is the fact that they are a minority society. This

An interview with a manager Essay Example | Topics and Well Written Essays - 2000 words

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Analysis of market and arrangement of production Essay

Analysis of market and arrangement of production - Essay Example ated that the oil and gas liquid output will remain no more than 3.54 mn b/d by the year 2011 though the country has pumped about 3.67 mn b/d last year. Oil consumption in China is expected to increase by 28% by 2011. Therefore the import of oil is expected to be 5.85 mn b/d by 2011. The overall business environment for oil and gas is moderately attractive from a regional perspective because political risk is overwhelmed by a strong and sustaining growth of demand for energy. There is a positive reserve for international oil and gas companies to take part in this competitive market. Economic risk is moderate and regulatory norms are set to make progress. China is an important nation in Asia for long, medium and short term oil and gas growth and demand that attracts energy sector investors (The China Oil and Gas Report 2008.) The Chinese oil and gas market conducts activities of storage, refining, exploration, production, transportation, development and marketing (King,2008). With augmented force for bigger oil manufacture and new basis of energy, opportunities to spend in oil and gas business are growing. Unearthing of new sources of oil and gas as well as persons eager to put their cash on the line is imperative to the oil and gas industry. Oil companies are in want of financiers to fund research, for the growth of new technologies, and the hunt of new sources (Richards) China is now a net importer of oil. It consumes nearly five million barrels of oil per day. Out of this requirement, one third is imported. It is expected that China will consume seven million barrels per day by the year 2020. in view of the above mentioned forecasts government sponsored groups have started functioning for devising objectives in this area. One of the main plans formulated is in the area of marketing oil and gas products (PETROCHEMICALS, CHEMICALS, OIL & GAS INDUSTRYWORKING GROUP.) The pricing device has been correspondingly continuing towards semi liberalised bazaar value